The talented musician, one half of the pioneering 1980s synth-pop duo Soft Cell, has died at the age of 66.
Alongside vocalist Marc Almond, the duo achieved a worldwide hit with their cover of Gloria Jones' Tainted Love in the mid-80s, and their debut album their initial full-length release is considered a classic of synth-pop.
He subsequently founded the pioneering techno group The Grid, who achieved chart success with their 1994 single Swamp Thing.
Ball passed away calmly in his rest at his home in London on Wednesday 22 October, just weeks after playing a headline show with Soft Cell at the Rewind music event in the Thames-side town.
During that performance, Ball performed in a wheelchair, as he had for the last two years, following a period of ill-health.
"I ended up injure myself significantly," he commented in a recent interview. "I fractured spinal bones in my spine and cracked about multiple ribs and broke my wrist."
Following contracting a lung infection and developing sepsis, he was put in an induced coma and remained in hospital for seven months.
However, he had been in "a great place mentally" during the warmer months, as he was developing a new album with Almond, titled Danceteria, which is set for publication in the coming year.
"He was focused and very pleased with the new album that we literally finished only a short time ago," stated the vocalist in a tribute.
"It's truly heartbreaking as next year was completely planned to be such an positive year for him, and I find comfort from the knowledge that he listened to the finished record and believed that it was a masterpiece."
Almond referred to his bandmate as "a wonderfully brilliant creative mastermind", stating: "He was the core essence of Soft Cell and I'm very proud of our legacy.
"Many thanks Dave for being an immense part of my life and for the songs you gave me. I wouldn't be where I am without your influence."
Richard Norris from The Grid, also paid tribute, remembering Ball's "constant humor" and "steadfast support".
"Being in a duo with someone is distinct from joining a band, the bond is incredibly close," he added.
"That was the case with us. We experienced so many extraordinary, extraordinary, life-affirming moments as a team. Thank you, Dave."
Brought into the world into a one-parent family in Chester in 1959, Ball was put up for adoption when he was 18 months old.
He grew up in the seaside town with adoptive parents his caregivers, who altered his given name from Paul to his adopted name, alongside his sibling Susan, who was similarly welcomed.
He met Almond at an art college in 1977, where they were both learning art. Inspired by a mutual passion of Northern Soul, they formed Soft Cell the same year, and quickly produced an EP.
The duo were an distinctive pairing: Ball was the quiet technician, bent over his synthesizer, while Almond was a flamboyant performer, all glitter and makeup; but they attained a rare creative synergy.
Ball had cultivated a interest with synthesizers after watching the band Kraftwerk perform on a television program a popular series, and began to marry moody electronic sounds to the catchy tunes Almond was writing.
Their signature song became the UK's second most popular song of 1981, shifting millions of copies globally. Together with hits by other artists, contemporary bands and Ultravox, it helped paved the path for the electronic music style of the 1980s.
The track was also featured on their full-length debut, Non-Stop Erotic Cabaret, which spawned two additional top five hits: Bedsitter and Say Hello, Wave Goodbye.
They continued the record up with the stand-alone single, Torch, which reached at the second position in 1982.
Success had its benefits. "I loved being able to afford my first home, having financial security and exploring, which makes me sound like a Miss World," Ball recently shared with a publication.
But it also caused challenges. "Sudden riches allowed we could afford substances to relieve the monotony" of press appearances and TV performances, Ball said.
"I realize that's a common saying, but it's a truism for a good reason, because it applies for so many musicians."
Amidst the party-filled existence, the pair were also drifting apart, but they succeeded to produce a follow-up memorable record - the wayward, tense and aptly-titled The Art Of Falling Apart.
They put out another LP, their 1984 release This Last Night In Sodom, before dissolving the group to concentrate on other projects.
Almond went on to have a prosperous solo career, featuring the chart-topping single Something's Got A Hold Of My Heart; while Ball formed The Grid, who mixed dance music with ambient pop over a enduring collaboration.
Soft Cell came back together in 2001, producing the charting album Cruelty Without Beauty.
Following another break, they reappeared in 2018, releasing the original singles Northern Lights and Guilty (Cos I Say You Are) before performing what was supposed to be a final performance at the O2 Arena on 30 September, that year.
However, they stayed together, creating their fifth album, Happiness Not Included, during the 2020 restrictions.
Ball lately characterized the duo's upcoming release as a tribute to the NYC nightlife they frequented while making their first two albums.
He noted that his time in medical care had shaped the group's music.
"I had strange recollections when I was in and out of hospital because I was on pain medication," he explained to a publication.
"Our latest tracks are a electronic representation of the noises in my head from those days.
"In parallel, it's about the times me and Marc got up to in the 80s."
The last versions were completed only a short time before Ball died. It is due for release in Spring 2026.
Maya Chen is a seasoned gaming journalist with over a decade of experience covering video game releases and industry trends.